With a smart collection of drum sounds and huge potential for programming, UVI’s package puts the design back in your drum machine. In conclusion, Dave said: “LCO textures is another beautifully crafted package which benefits from a collaboration of creative minds, while drawn from acoustic and organic colours.” Overall, it sounds simply beautiful and will give back plenty to anyone who yearns for lush evolving pads, shorter elements which cast a huge reverberant shadow, or anyone looking for new sounds to explore for the purposes of sound design.”

It is firmly about texture and reverberation, both of which become heavily entwined to form a backdrop which can either remain static or vary with time. “If you’re looking for interesting textures, which are captured from organic and musical sources, this is a must-hear. Reviewer Dave Gale was mightily impressed with the huge and atmospheric sound. Only a handful of players were used in the recording of the patches but there is a lot of variation included, and the vastness of the space in which they were recorded means the results are a lot bigger than you might expect. Spitfire Audio’s second collaboration with the London Contemporary Orchestra was recorded in a decommissioned aircraft hangar in Suffolk, a location with an extraordinary reverberation tail that extends to 10 seconds! This obviously gives LCO Textures a very unique character and it comprises four textures that are formed into four sections: Ethereal, Mercurial, Quantum and Astral.

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